Month: November, 2009

Breaking Rules of Outsider Stories

Telling Tales ~ By Hook Or By Crook and Billy Tipton: Breaking rules
of outsider stories
Films and Artist Talk by Silas Howard

Tuesday November 24, 6pm
McGill University, Leacock Building, Room 232 (855 Sherbrooke West)

Silas Howard, filmmaker and former member of Tribe 8, will
investigate outsider stories in film through clips and discussion of
his work. He will discuss the relationships between voice, style and
language along with issues of memory, loss and desire. In so doing,
he will explore how experimental and queer theories interact with
classical structure and transgressive narratives in film. Silas will
focus on the power of transformative loss, grief and humor and the
relationship to a transgender representation in his work.

Historically the white middle class has defined itself by what it is
not. It is the identification and casting out of the “other” that has
helped dominant society draw parameters around what it considers to
be normal or desirable. In other words, the “other” is not outside of
society; it is the exclusion of the “other” that becomes the
foundation of “normal” society. In recent years, we have seen the
immense ability of dominant society to co-opt certain narratives and
make them into stereotypes.

Silas will address questions such as: What happens when ‘the other’
does not adhere to its given stereotype? Does the “other” get
punished for transgression or is there an opening for a non-dominant
narrative to be heard? Conversely, what happens when the central
character is playing out its given stereotype?

“In my first film By Hook or By Crook, we wanted a story about a
budding friendship. The fact that they happen to be queer and/or
trans is purposefully off the point. If you call them something,
other than sad, rambling, spirited, sharp or funny…you might call
them ‘butches‘. We see butch as a third gender, not exactly female
and not exactly male. By refusing to explain its representation of
gender or gain a heteronormative society’s understanding through a
‘coming out’ story, the film invites the audience to interpret it for
themselves. Ironically this can pose as many problems for gay/queer
audience as it can for straight ones.”

Clips will be shown from Rise Above; the Tribe 8 Documentary,
narrative feature By Hook or By Crook, short documentary What I Love
About Dying, his new short film, Blink, and excerpts from his solo
show, Thank You For Being Urgent.
******
SILAS HOWARD, (writer, director, and musician), co-directed his first
feature, By Hook Or By Crook, with Harry Dodge. The indie classic was
a 2002 SUNDANCE FILM FESTIVAL premiere and five-time Best Feature
winner. The film was picked up by the Sundance Channel. Howard’s
screenplay, Exactly Like You, (co-written with Nina Landey), is a
Nantucket Screenwriters Colony fellow and finalist for the 2005
Sundance Filmmaker’s lab. Howard’s first short documentary, What I
Love About Dying, premiered at the 2006 Sundance Film Festival.

For eight years, Howard toured nationally and internationally with
the band, Tribe 8. The notorious punk band released four full-length
recordings on Alternative Tentacles and was featured in Rolling
Stone, The Village Voice, Interview, Billboard, Elle and The Los
Angeles Times.

Howard’s music videos have aired on MTV and LOGO networks in 2007-08,
as did his first short musical, How do I Say This? (2008), co-
directed with Michael Bodie and made for MTV Networks.

Howard's writing is also featured in the anthologies, "Without a Net:
Growing Up Working Class" and "Live Through This ", as well as the
artists' journal, "LTTR."

Howard received and MFA in directing at UCLA and was awarded the
Kovler Fellowship in Film & Television, the Wasserman Film Production
award and a twice recipient of the Motion Picture Association of
America award. Howard was nominated for a Rockefeller award in 2004
and 2008. Howard also teaches in the literature and visual arts
department at UCSD.

For childcare, please contact us 48 hours in advance. This venue is
wheelchair accessible.

CRIMINAL QUEERS!

*A Montreal Film Premiere and Directors’ Talk*

*Friday, November 13th @ 7:30pm
Concordia University, Hall Building
1455 de Maisonneuve Ouest, Room H-110
*
FREE. Wheelchair accessible.
Please get in touch 48 hours in advance if you need childcare or have other
accessibility needs: (info@qpirgconcordia.org)

*Criminal Queers* visualizes a radical trans/queer struggle against the
prison industrial complex and toward a world without walls. Remembering that
prison breaks are both a theoretical and material practice of freedom, this
film imagines what spaces might be opened up if crowbars, wigs, and metal
files become tools for transformation. Follow Yoshi, Joy, Susan and Lucy as
they fiercely read everything from the Human Rights Campaign and hate crimes
legislation to the non-profitization of social movements. *Criminal
Queers*grows our collective liberation by working to abolish the
multiple ways our hearts, genders, and desires are confined.
*
Criminal Queers* brings together powerful abolitionist voices like Angela Y.
Davis (who plays herself in the film), with a fictional, campy world of
queer insurrection. Reworking what a queer history might mean for the
possibility of surviving the present, the program centers the devastating
effects the prison industrial complex (PIC) has had on transgender/ gender
non-conforming and queer communities.

The program will include a lecture by the California filmmakers Chris Vargas
and Eric Stanley, giving historical and contemporary analysis and examples
of the ways in which queer communities are impacted by forms of state
violence; two shorts called “The Digital Storytelling Project” made by
transgender ex-prisoners, which help show the chain links between
homophobia, racism, normative gender systems and incarceration; the feature
film, *Criminal Queers*; and a question and answer period with the artists.

[Presented by QPIRG Concordia's "Keeping it Reel" monthly Subversive Cinema Series, in
collaboration with Q-Team, the Prisoner Correspondence Project, Queer
Concordia, Queer McGill, the 2110 Centre for Gender Advocacy, and the Union
for Gender Empowerment]

*This event was also made possible, in part, by the generous support of the Arts
and Science Federation of Associations at Concordia and T. Waugh, Concordia
Research Chair in Sexual Representation.]*

*

*also be sure to check out the after-party:

qteam presents:*
*SEVEN MINUTES IN HEAVEN/SEVEN MINUTES IN HELL*
*where the slasher flick meets spin the bottle.*

– a QUEER DANCE PARTY – afterparty for “Criminal Queers” film premiere &
director’s talk–
*”the good news is your dates are here. the bad news is…they’re dead.”
*
get in the closet this FRIDAY THE 13th of NOVEMBER
with Sarah Michelle Gellar & Neve Campbell for the kiss of death
$5 or PAY WHAT YOU CAN – nobody turned away!

LOCATION: 6595A St Urbain, metro Beaubien

you’ve seen this one before, in yer fantasies, with slightly different
characters, with slightly different props and plots… I warned you not to
go out tonight!

calling all gold star heroines, misunderstood anti-heroes, followers of The
Craft, prep school girls with cultish inclinations, urban legends on the
prowl, werewolves, nightcrawlers, men with long fingernails, creatures of
the dark, the terminally slutty, scaredy-cats, scream queens, the masked,
the chasers and the chased…

does Freddy Krueger haunt yer wet dreams?
have a one night stand with evil.
grind with villains, waltz with the dead.
be more gore, less dressed.
Scream, holler, moan.
get scared stiff.
make out with Riff-Raff.
sleep all day, party all night.
go over to the dark side.
Chucky gets lucky.

be there or suffer the consequences.
I Know What You Did Last Summer, you pervert…

a fundraiser for Open Door Books
for more information about Open Door Books, visit
http://opendoorbooks.wordpress.com/

[qteam is committed to anti-imperialism, anti-racism, short shorts, queering
activist spaces and politicizing queer spaces, the downfall of single-issue
politics, raging pervy queer dance parties, destroying all prisons, opening
all borders, burning pink dollar$, and keeping on keeping on.]