Conflict Resolution and Complaints Committee Statement

Statement Regarding CRCC Membership, Timeline and Procedure

for submitting a Complaint or request for Conflict Resolution,

and some points about communicating with the CRCC, as well as questions of

confidentiality and anonymity.

This statement has been sent via email to all current 2110 board & staff members,

and posted on the 2110 website & facebook page. Our intention is to make known the

process and parameters of the conflict resolution and complaints process. We

therefore encourage you to forward this message to anyone who is directly

involved with the current conflict who we may not have reached, but ask

that this statement not be posted to any listserves, websites, or other

locations that aren’t directly associated with the 2110.

1.     CRCC membership

In the elections held at the November 2nd, 2009 Special General Meeting,

the following CRCC members were elected:

Helen Hudson, Keetha Mercer, Amy Miller, and Tasha Zamudio.

The current structure of the CR/CC, as outlined by Appendix 1 of

the Conflict Resolution and Complaints Policy states that:

The CR/CC is comprised of:

* 1 Representative of the board who acts as the Administrator

and who is responsible for facilitating the decision-making about the

process (appointed by the board, non-decision-making, except in

the event that it goes to vote and the vote is tied).

* 1 member appointed by the board and staff, specific to each

case (appointed, decision-making). The appointment of this committee

member should be made by the board alone, if the staff is in conflict

of interest and by the CR/CC itself, if the board is in conflict of interest.

* 3 member representatives (elected, decision-making)

* 1 alternative member representative, should it be deemed by the

CR/CC or the 2110 Board that there is a conflict of interest with one of

the members of the CR/CC or with the Board’s ability to appoint a member

or should one of the members elected at the AGM be unavailable.

It is the feeling of the CR/CC members elected at the November 2nd SGM, that given the nature of the complaints we expect to receive, that the position of the board member on this committee is a conflict of interest at this time. We have proposed, with the approval of the board, that the representative of the board on this committee for now be limited only to administrative purposes, that they not attend CR/CC meetings and not have tie-breaking voting power for the duration of this particular conflict.

Also, in the interest of time and because the 4 of us were elected recently by the membership, we will not be appointing “an alternate” committee member, but instead the 4th elected member has taken up the position of the appointed member. Since there are now be four of us, and no vote tie breaker, we have committed to a full consensus process, with no voting, in order to proceed hearing and deciding on complaints.

The CRCC held a 48 hour window to invite feedback about its structure, and made this known to board and staff members. The CRCC met on November 14th to consider the two concerns that had been brought forward of potential conflict of interest. Each concern was discussed by the full committee (i.e. all four of us), with the person about whom the concern was raised having an opportunity to respond to it, and the other three members having an opportunity to ask questions. The person about whom the concern was raised then left the room, and the other three members decided by consensus whether it was appropriate for them to remain on the committee.

The first concern was regarding Amy Miller, as she had signed onto a public letter from some of the 2110 staff as a supporter. This letter was circulated on various public listserves and remains posted on the website <2110democracy.ca>. The committee heard Amy’s reasons for signing the letter, and asked about her level of involvement in writing and circulating the letter. Coming out of that discussion, we are confident that Amy is in fact able to act fairly in a CRCC capacity. However, we feel that it would be inappropriate for her to continue to endorse this statement while at the same time being part of the committee that hears complaints stemming from this same conflict. Therefore, Amy has voluntarily withdrawn her signature from the letter, and remains on the CRCC.

The second concern was regarding Tasha Zamudio, as she is a staff member at QPIRG Concordia. We understand that the QPIRG Concordia space has been the physical site of several heated discussions regarding the conflict at the 2110. We deem this to be an outcome of the fact that it is a community space frequented by many involved in the conflict, as well as the fact that some individuals involved with QPIRG Concordia have taken (more or less) public positions. However, Tasha herself has not taken a public position, and since being elected to the CRCC, she has asked her co-workers and board not to discuss the conflict in her presence because it may put her in a position of conflict of interest. It was also noted that QPIRG Concordia, as an organization, has not taken a position in this conflict. Therefore, after discussion amongst the other three committee members, Tasha also remains on the CRCC.

We would also like to note that we discussed the fact that all four of us have a variety of implications in the community the surrounds the 2110, both past and present. These implications are at once the very reason that we feel invested enough in the Centre to have volunteered to be on the CRCC, and also potential sources of bias – we all have opinions on various aspects of the conflict. That being said, given that the CRCC has committed to decision-making by consensus without the mechanism of a tie-breaking vote, it is our feeling that the process itself acts as a check against any bias held by a particular committee member. The fact that each of us also has multiple different ties to this community, guard against being biased for or against any particular party to the conflict.

2.     Timeline & how to submit a complaint

The basic process for submitting a complaint is outlined in the conflict resolution and complaints policy, which is available for download from the 2110 website  (www.centre2110.org). This policy outlines the two mechanisms available for addressing a complaint – mediation (conflict resolution) or a hearing (complaints) process – as well as the timelines and potential outcomes. However there are a few additions or modifications we would like to specify here.

The CRCC has decided to hold an open period of 5 days, from November 16-21 in order to receive written requests for our attention. After these 5 days we will look at requests together and consider November 22nd as the first day in the 30 day period outlined in part 2(b), point #19, of the conflict resolution and complaints policy.  We would like to hold any hearings between December 3 – 17, in the interest of moving on this as quickly as possible. (Hearings are where all those involved in a complaint are invited to speak to and respond to a complaint). Request received after November 22 will, of course, still be considered by the CR/CC. However we will begin on November 22nd to move forward on the all requests received in that 5 day period, so we encourage folks to send requests during that period so as not to be delayed by the end of December holidays maybe people take.

We ask that all board and staff members, as well as anyone submitting a complaint who may fall outside these categories, communicate to the CRCC, prior to November 22nd, any dates and times between December 3rd and 17th that they are unavailable. This will allow us to schedule any possible hearings promptly so that all those who need to attend can plan their time. Please note that all those involved in a complaint are expected to attend the hearing.

The parameters of complaints are outlined in the conflict resolution and complaints policy, however the length of complaints has been extended to 400 words per complaint (not including supplemental documentation). Each submission should clearly state whether you are seeking a Conflict Resolution or Complaints Process, as well as against whom/which body the complaint or request for conflict resolution is lodged against.

Given the scope and public profile of this conflict to date, we realize that a broad range of community members may feel affected by the conflict. However, given that the policy only has mechanisms for holding people accountable who are actively involved in the Centre, and given the large number of members of the wider community who have voiced concerns, we encourage people to limit their complaints to matters that touch them directly. This may include people who are neither board nor staff, but should generally be limited to people actively involved in the Centre in some way. Anyone who is unclear as to whether their concern falls within the scope of this process is encouraged to get in touch, and the committee will let them know if it does or doesn’t.

3.     Communication, confidentiality & anonymity

The CRCC has set up an email address, <crcc.2110@gmail.com>. Only the 4 members of the committee have the password to this account. All communication with the CRCC, including complaints themselves, should be sent to this account (i.e. not to the individuals on the committee via their personal email addresses or other channels).

All complaints will be treated as confidential within the limits outlined in the Conflict resolution and complaints policy. We refer you to relevant sections of the policy, namely section 2a #11, #12, section 2b #17, #18, #29, #34, and the ‘documentation’ section #40-42. (Broadly speaking the person/party to whom the complaint pertains will see the complaint and know who it if from, but it will not be made public; outcomes of conflict resolution sessions or hearings may be made public depending on the circumstances – see policy for further details). By participating in the CRCC process, we understand all parties, including support people, to be agreeing to respect the confidentiality measures outlined in the aforementioned sections of the policy.

However, the CRCC has not identified a way of addressing anonymous complaints (i.e. ones submitted with no name attached, or under a pseudonym) within the channels of the policy. We therefore strongly encourage people to submit all complaints with names attached, with the knowledge that confidentiality measures are in place. If anyone feels unable to do so, they may contact the CRCC to problem-solve their concern.

Sincerely,

The CRCC: Helen Hudson, Keetha Mercer, Amy Miller, Tasha Zamudio

This statement has been sent via email to all current 2110 board & staff members, and posted on the 2110 website & facebook page. Our intention is to make known the process and parameters of the conflict resolution and complaints process. We therefore encourage you to forward this message to anyone who is directly involved with the current conflict who we may not have reached, but ask that this statement not be posted to any listserves, websites, or other locations that aren’t directly associated with the 2110.

1.     CRCC membership

In the elections held at the November 2nd, 2009 Special General Meeting, the following CRCC members were elected: Helen Hudson, Keetha Mercer, Amy Miller, and Tasha Zamudio.

The current structure of the CR/CC, as outlined by Appendix 1 of the Conflict Resolution and Complaints Policy states that:

The CR/CC is comprised of:

* 1 Representative of the board who acts as the Administrator and who is responsible for facilitating the decision-making about the process (appointed by the board, non-decision-making, except in the event that it goes to vote and the vote is tied).

* 1 member appointed by the board and staff, specific to each case (appointed, decision-making). The appointment of this committee member should be made by the board alone, if the staff is in conflict of interest and by the CR/CC itself, if the board is in conflict of interest.

* 3 member representatives (elected, decision-making)

* 1 alternative member representative, should it be deemed by the CR/CC or the 2110 Board that there is a conflict of interest with one of the members of the CR/CC or with the Board’s ability to appoint a member or should one of the members elected at the AGM be unavailable.

It is the feeling of the CR/CC members elected at the November 2nd SGM, that given the nature of the complaints we expect to receive, that the position of the board member on this committee is a conflict of interest at this time. We have proposed, with the approval of the board, that the representative of the board on this committee for now be limited only to administrative purposes, that they not attend CR/CC meetings and not have tie-breaking voting power for the duration of this particular conflict.

Also, in the interest of time and because the 4 of us were elected recently by the membership, we will not be appointing “an alternate” committee member, but instead the 4th elected member has taken up the position of the appointed member. Since there are now be four of us, and no vote tie breaker, we have committed to a full consensus process, with no voting, in order to proceed hearing and deciding on complaints.

The CRCC held a 48 hour window to invite feedback about its structure, and made this known to board and staff members. The CRCC met on November 14th to consider the two concerns that had been brought forward of potential conflict of interest. Each concern was discussed by the full committee (i.e. all four of us), with the person about whom the concern was raised having an opportunity to respond to it, and the other three members having an opportunity to ask questions. The person about whom the concern was raised then left the room, and the other three members decided by consensus whether it was appropriate for them to remain on the committee.

The first concern was regarding Amy Miller, as she had signed onto a public letter from some of the 2110 staff as a supporter. This letter was circulated on various public listserves and remains posted on the website <2110democracy.ca>. The committee heard Amy’s reasons for signing the letter, and asked about her level of involvement in writing and circulating the letter. Coming out of that discussion, we are confident that Amy is in fact able to act fairly in a CRCC capacity. However, we feel that it would be inappropriate for her to continue to endorse this statement while at the same time being part of the committee that hears complaints stemming from this same conflict. Therefore, Amy has voluntarily withdrawn her signature from the letter, and remains on the CRCC.

The second concern was regarding Tasha Zamudio, as she is a staff member at QPIRG Concordia. We understand that the QPIRG Concordia space has been the physical site of several heated discussions regarding the conflict at the 2110. We deem this to be an outcome of the fact that it is a community space frequented by many involved in the conflict, as well as the fact that some individuals involved with QPIRG Concordia have taken (more or less) public positions. However, Tasha herself has not taken a public position, and since being elected to the CRCC, she has asked her co-workers and board not to discuss the conflict in her presence because it may put her in a position of conflict of interest. It was also noted that QPIRG Concordia, as an organization, has not taken a position in this conflict. Therefore, after discussion amongst the other three committee members, Tasha also remains on the CRCC.

We would also like to note that we discussed the fact that all four of us have a variety of implications in the community the surrounds the 2110, both past and present. These implications are at once the very reason that we feel invested enough in the Centre to have volunteered to be on the CRCC, and also potential sources of bias – we all have opinions on various aspects of the conflict. That being said, given that the CRCC has committed to decision-making by consensus without the mechanism of a tie-breaking vote, it is our feeling that the process itself acts as a check against any bias held by a particular committee member. The fact that each of us also has multiple different ties to this community, guard against being biased for or against any particular party to the conflict.

2.     Timeline & how to submit a complaint

The basic process for submitting a complaint is outlined in the conflict resolution and complaints policy, which is available for download from the 2110 website  (www.centre2110.org). This policy outlines the two mechanisms available for addressing a complaint – mediation (conflict resolution) or a hearing (complaints) process – as well as the timelines and potential outcomes. However there are a few additions or modifications we would like to specify here.

The CRCC has decided to hold an open period of 5 days, from November 16-21 in order to receive written requests for our attention. After these 5 days we will look at requests together and consider November 22nd as the first day in the 30 day period outlined in part 2(b), point #19, of the conflict resolution and complaints policy.  We would like to hold any hearings between December 3 – 17, in the interest of moving on this as quickly as possible. (Hearings are where all those involved in a complaint are invited to speak to and respond to a complaint). Request received after November 22 will, of course, still be considered by the CR/CC. However we will begin on November 22nd to move forward on the all requests received in that 5 day period, so we encourage folks to send requests during that period so as not to be delayed by the end of December holidays maybe people take.

We ask that all board and staff members, as well as anyone submitting a complaint who may fall outside these categories, communicate to the CRCC, prior to November 22nd, any dates and times between December 3rd and 17th that they are unavailable. This will allow us to schedule any possible hearings promptly so that all those who need to attend can plan their time. Please note that all those involved in a complaint are expected to attend the hearing.

The parameters of complaints are outlined in the conflict resolution and complaints policy, however the length of complaints has been extended to 400 words per complaint (not including supplemental documentation). Each submission should clearly state whether you are seeking a Conflict Resolution or Complaints Process, as well as against whom/which body the complaint or request for conflict resolution is lodged against.

Given the scope and public profile of this conflict to date, we realize that a broad range of community members may feel affected by the conflict. However, given that the policy only has mechanisms for holding people accountable who are actively involved in the Centre, and given the large number of members of the wider community who have voiced concerns, we encourage people to limit their complaints to matters that touch them directly. This may include people who are neither board nor staff, but should generally be limited to people actively involved in the Centre in some way. Anyone who is unclear as to whether their concern falls within the scope of this process is encouraged to get in touch, and the committee will let them know if it does or doesn’t.

3.     Communication, confidentiality & anonymity

The CRCC has set up an email address, <crcc.2110@gmail.com>. Only the 4 members of the committee have the password to this account. All communication with the CRCC, including complaints themselves, should be sent to this account (i.e. not to the individuals on the committee via their personal email addresses or other channels).

All complaints will be treated as confidential within the limits outlined in the Conflict resolution and complaints policy. We refer you to relevant sections of the policy, namely section 2a #11, #12, section 2b #17, #18, #29, #34, and the ‘documentation’ section #40-42. (Broadly speaking the person/party to whom the complaint pertains will see the complaint and know who it if from, but it will not be made public; outcomes of conflict resolution sessions or hearings may be made public depending on the circumstances – see policy for further details). By participating in the CRCC process, we understand all parties, including support people, to be agreeing to respect the confidentiality measures outlined in the aforementioned sections of the policy.

However, the CRCC has not identified a way of addressing anonymous complaints (i.e. ones submitted with no name attached, or under a pseudonym) within the channels of the policy. We therefore strongly encourage people to submit all complaints with names attached, with the knowledge that confidentiality measures are in place. If anyone feels unable to do so, they may contact the CRCC to problem-solve their concern.

Sincerely,

The CRCC: Helen Hudson, Keetha Mercer, Amy Miller, Tasha Zamudio

Breaking Rules of Outsider Stories
Telling Tales ~ By Hook Or By Crook and Billy Tipton: Breaking rules
of outsider stories
Films and Artist Talk by Silas Howard

Tuesday November 24, 6pm
McGill University, Leacock Building, Room 232 (855 Sherbrooke West)

Silas Howard, filmmaker and former member of Tribe 8, will
investigate outsider stories in film through clips and discussion of
his work. He will discuss the relationships between voice, style and
language along with issues of memory, loss and desire. In so doing,
he will explore how experimental and queer theories interact with
classical structure and transgressive narratives in film. Silas will
focus on the power of transformative loss, grief and humor and the
relationship to a transgender representation in his work.

Historically the white middle class has defined itself by what it is
not. It is the identification and casting out of the “other” that has
helped dominant society draw parameters around what it considers to
be normal or desirable. In other words, the “other” is not outside of
society; it is the exclusion of the “other” that becomes the
foundation of “normal” society. In recent years, we have seen the
immense ability of dominant society to co-opt certain narratives and
make them into stereotypes.

Silas will address questions such as: What happens when ‘the other’
does not adhere to its given stereotype? Does the “other” get
punished for transgression or is there an opening for a non-dominant
narrative to be heard? Conversely, what happens when the central
character is playing out its given stereotype?

“In my first film By Hook or By Crook, we wanted a story about a
budding friendship. The fact that they happen to be queer and/or
trans is purposefully off the point. If you call them something,
other than sad, rambling, spirited, sharp or funny…you might call
them ‘butches‘. We see butch as a third gender, not exactly female
and not exactly male. By refusing to explain its representation of
gender or gain a heteronormative society’s understanding through a
‘coming out’ story, the film invites the audience to interpret it for
themselves. Ironically this can pose as many problems for gay/queer
audience as it can for straight ones.”

Clips will be shown from Rise Above; the Tribe 8 Documentary,
narrative feature By Hook or By Crook, short documentary What I Love
About Dying, his new short film, Blink, and excerpts from his solo
show, Thank You For Being Urgent.
******
SILAS HOWARD, (writer, director, and musician), co-directed his first
feature, By Hook Or By Crook, with Harry Dodge. The indie classic was
a 2002 SUNDANCE FILM FESTIVAL premiere and five-time Best Feature
winner. The film was picked up by the Sundance Channel. Howard’s
screenplay, Exactly Like You, (co-written with Nina Landey), is a
Nantucket Screenwriters Colony fellow and finalist for the 2005
Sundance Filmmaker’s lab. Howard’s first short documentary, What I
Love About Dying, premiered at the 2006 Sundance Film Festival.

For eight years, Howard toured nationally and internationally with
the band, Tribe 8. The notorious punk band released four full-length
recordings on Alternative Tentacles and was featured in Rolling
Stone, The Village Voice, Interview, Billboard, Elle and The Los
Angeles Times.

Howard’s music videos have aired on MTV and LOGO networks in 2007-08,
as did his first short musical, How do I Say This? (2008), co-
directed with Michael Bodie and made for MTV Networks.

Howard's writing is also featured in the anthologies, "Without a Net:
Growing Up Working Class" and "Live Through This ", as well as the
artists' journal, "LTTR."

Howard received and MFA in directing at UCLA and was awarded the
Kovler Fellowship in Film & Television, the Wasserman Film Production
award and a twice recipient of the Motion Picture Association of
America award. Howard was nominated for a Rockefeller award in 2004
and 2008. Howard also teaches in the literature and visual arts
department at UCSD.

For childcare, please contact us 48 hours in advance. This venue is
wheelchair accessible.
Cameryn Moore, Phone Whore

Slip on those long black gloves and join Cameryn Moore, Phone Whore

for an evening of comedy and cocktails (with frequent interruptions).

Ms. Cameryn comes up from Boston with a performance that began

between calls. Drawing from her work as a phone sex operator and

delving into the murk of her own sexual life, she considers how what

appears as acting out roles for the gratification of others in fact

stoked her own very real appetite for sexual power. “Phone Whore” is

about fantasy and mind control, taboos and fetishes, and the place of

“deviant” desires in society today. With martinis before and a

talkback session (…more martinis) afterwards.

Cocktails: six et plus (commencement 18h00)

Show: commencement 19h00

Quand? le 16 Novembre

Location: Interstice (down in Griffintown! 242 Young, on the corner of

Ottawa, metro Bonaventure)

do you love googlemaps? here:
http://maps.google.com/maps?f=q&hl=en&q=242+Young%2C+Montreal%2C+QC

(co-presented with QPIRG McGill and Queer McGill, as part of
(re)Doing It, a week of sex (re)education)
CRIMINAL QUEERS!

*A Montreal Film Premiere and Directors’ Talk*

*Friday, November 13th @ 7:30pm
Concordia University, Hall Building
1455 de Maisonneuve Ouest, Room H-110
*
FREE. Wheelchair accessible.
Please get in touch 48 hours in advance if you need childcare or have other
accessibility needs: (info@qpirgconcordia.org)

*Criminal Queers* visualizes a radical trans/queer struggle against the
prison industrial complex and toward a world without walls. Remembering that
prison breaks are both a theoretical and material practice of freedom, this
film imagines what spaces might be opened up if crowbars, wigs, and metal
files become tools for transformation. Follow Yoshi, Joy, Susan and Lucy as
they fiercely read everything from the Human Rights Campaign and hate crimes
legislation to the non-profitization of social movements. *Criminal
Queers*grows our collective liberation by working to abolish the
multiple ways our hearts, genders, and desires are confined.
*
Criminal Queers* brings together powerful abolitionist voices like Angela Y.
Davis (who plays herself in the film), with a fictional, campy world of
queer insurrection. Reworking what a queer history might mean for the
possibility of surviving the present, the program centers the devastating
effects the prison industrial complex (PIC) has had on transgender/ gender
non-conforming and queer communities.

The program will include a lecture by the California filmmakers Chris Vargas
and Eric Stanley, giving historical and contemporary analysis and examples
of the ways in which queer communities are impacted by forms of state
violence; two shorts called “The Digital Storytelling Project” made by
transgender ex-prisoners, which help show the chain links between
homophobia, racism, normative gender systems and incarceration; the feature
film, *Criminal Queers*; and a question and answer period with the artists.

[Presented by QPIRG Concordia's "Keeping it Reel" monthly Subversive Cinema Series, in
collaboration with Q-Team, the Prisoner Correspondence Project, Queer
Concordia, Queer McGill, the 2110 Centre for Gender Advocacy, and the Union
for Gender Empowerment]

*This event was also made possible, in part, by the generous support of the Arts
and Science Federation of Associations at Concordia and T. Waugh, Concordia
Research Chair in Sexual Representation.]*

*

*also be sure to check out the after-party:

qteam presents:*
*SEVEN MINUTES IN HEAVEN/SEVEN MINUTES IN HELL*
*where the slasher flick meets spin the bottle.*

– a QUEER DANCE PARTY – afterparty for “Criminal Queers” film premiere &
director’s talk–
*”the good news is your dates are here. the bad news is…they’re dead.”
*
get in the closet this FRIDAY THE 13th of NOVEMBER
with Sarah Michelle Gellar & Neve Campbell for the kiss of death
$5 or PAY WHAT YOU CAN – nobody turned away!

LOCATION: 6595A St Urbain, metro Beaubien

you’ve seen this one before, in yer fantasies, with slightly different
characters, with slightly different props and plots… I warned you not to
go out tonight!

calling all gold star heroines, misunderstood anti-heroes, followers of The
Craft, prep school girls with cultish inclinations, urban legends on the
prowl, werewolves, nightcrawlers, men with long fingernails, creatures of
the dark, the terminally slutty, scaredy-cats, scream queens, the masked,
the chasers and the chased…

does Freddy Krueger haunt yer wet dreams?
have a one night stand with evil.
grind with villains, waltz with the dead.
be more gore, less dressed.
Scream, holler, moan.
get scared stiff.
make out with Riff-Raff.
sleep all day, party all night.
go over to the dark side.
Chucky gets lucky.

be there or suffer the consequences.
I Know What You Did Last Summer, you pervert…

a fundraiser for Open Door Books
for more information about Open Door Books, visit
http://opendoorbooks.wordpress.com/

[qteam is committed to anti-imperialism, anti-racism, short shorts, queering
activist spaces and politicizing queer spaces, the downfall of single-issue
politics, raging pervy queer dance parties, destroying all prisons, opening
all borders, burning pink dollar$, and keeping on keeping on.]

Conflict Resolution & Complaints Committee

The results from the Conflict Resolution and Complaints Committee election at the

Special General Meeting on November 2nd, 2009 are as follows:

  • Helen Hudson
  • Tasha Zamudio
  • Keetha Mercer
  • Amy Miller

Thanks so much for coming out to the Special General Meeting!